From essays by Roberto Quezada-Dardon about photography, social media, and filmmaking as well as ruminations that may never feel the warmth of ink on paper
After seeing 2001: A Space Odyssey I was hooked. A student of philosophy at Santa Clara University, I immediately transferred to UCLA for a degree in film criticism.
Quite accidentally, I became a filmmaker and got involved with a movie that became a cult classic on my very first time out.
An experience like that will take care you of you, professionally, for a long, long time, but it will also define you. The film was Phantasm. It launched my career as a lighting cameraman, gaffer, editor, and finally a producer. Along the way I dabbled at writing scripts and was invited to Sundance and Tribeca for a couple of screenplays they liked.
My marriage to filmmaking was rocky, but it lasted 25 years and in that time I had brief affairs with other careers involving photography, architectural lighting, and Web sites.
I made Planned Parenthood's and Amnesty International's first professional Web sites.
I finally bailed on making Web sites and movies altogether and returned to my first loves which are journalism and photography.
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