Friday, July 17, 2009

Public Enemies

The careful consideration behind the decision to shoot Public Enemies on HD instead of film is discussed in this month's American Cinematographer. Some of the reasons listed are that the camera selected (F23) performed well in low light and there were many scenes planned for night ("in the end, the F23's rendering of night scenes sealed the deal"), the fast zoom lenses available for that camera, and the deep focus that results from shooting on such a small chip. Article is by Jay Holben.

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